Othello Essay Research Paper Character Analysis of free essay sample

Othello Essay, Research Paper Character Analysis of Othello In the drama Othello, the character of Othello has certain traits which make him look naif and unworldly compared to many other people. This is why Iago, to acquire his merely wagess uses him as a whipping boy. Iago told Roderigo, # 8221 ; O, sir, content you. I follow him [ Othello ] to function my bend upon him # 8220 ; ( I, one lines 38-9 ) . Iago is stating, he merely follows Othello to a point, and upon making it he will non follow him any longer. Iago has opened my eyes to see the existent significance of fraudulence. No affair what, Iago will seek to take advantage of Othello any clip and he will be easy lead to believe the prevarications of Iago. The Moor, as many Venetians call him, is of strong character. He is really proud and in control of every move throughout the drama. The control is non merely of power but of the sense of his being who he is, a great warrior. In Act I, Othello has a hassle with Brabantio, who has come to kill him, but before anything could go on Othello said, # 8220 ; Keep your custodies, both of you of my inclination and the remainder. Were it my cue to contend, I should hold known it without a prompter # 8221 ; ( I, ii, lines 80-3 ) . The power shown here is rather dumbfounding. The nature of Othello # 8221 ; s character is of a dark adult male. A dark adult male, non merely because he is black, but besides because his whole individual is really cryptic. He is cryptic in that he believes there is charming brewing everyplace. With this dark side he is besides really outgoing, and non really brilliantly. He isn # 8221 ; t observant and the strategies of Iago work good on him. Though he doesn # 8221 ; t reflect excessively much on his yesteryear, except occasional ventures of wars fought, he does allow his emotions run his life. For all the dangers and brushs he has been involved in, this adult male is still naif of the corruptness of other persons. Othello has a trustful nature in which he gives it all. He put all his trust in Iago during times of war and during Othello # 8221 ; s matrimony to Desdemona. This wasn # 8221 ; t really bright of Othello, even if he wasn # 8221 ; T swearing or more corrupt he still wouldn # 8221 ; t recognize Iago was lying. Everyone considered Iago as honest, and would be out of character for Othello to believe any different. For illustration, Othello had told the Duke, # 8220 ; So delight your grace, my antediluvian ; A adult male he is of honestness and trust. To his conveyance I assign my married woman, With what else needed your good grace shall believe, To be sent after me # 8221 ; ( I, three, lines 284-8 ) . The control over any state of affairs is one Othello # 8221 ; s strong features. Through the whole first act you can visualize a adult male so much power and natural leading and when he changes you can non believe it. For illustration, when Lodovico had witnessed Othello hit Desdemona, he said: # 8220 ; Is this the baronial Moor whom our full Senate Name all in all sufficient? Is this the nature Whom passion could non agitate? whose solid virtuousness The shooting of accident nor dart of opportunity could neither crop nor pierce # 8221 ; ( IV, I, lines 264-8 ) ? While Iago, being the honest adult male he is, replies: # 8220 ; He # 8221 ; s that he is, I may non take a breath my animadversion. What he might be ( if, what he might, he is non ) I would to heaven he were # 8221 ; ( IV, I, lines 270-2 ) . Another topographic point where Shakspere shows Othello taking control over a state of affairs is when Cassio and Montano are contending after Roderigo antagonized him. These words Othello said are of import now, but they will be more of import subsequently when he is entirely with Desdemona in their sleeping room. He will state: # 8220 ; Now , by Eden, My blood begins my safer ushers to govern, And passion, holding my best opinion collied, Assaies to take the manner. If I once stir Or make but raise this arm, the best of you Shall sink in my reproof # 8221 ; ( II, three, lines 203-8 ) . You must experience sorrow for Othello because with all the power he has and the eternal trust he gives, you try to make out and demo him the truth. By holding his antediluvian or friend, Honest Iago bring him the intelligence of his married woman # 8221 ; s bad wonts. Othello had no alternate but to believe him. If any adult male was brought intelligence of this type they would certainly travel off the deep terminal. Iago non merely told him but he told him in a manner that it was hard non to believe. He didn # 8221 ; t state a twosome who have been married for old ages, and who would cognize the likes and disfavors of one another, but he told a freshly wed twosome. Othello didn # 8221 ; t truly cognize Desdemona before they were married. Othello said, # 8220 ; She loved me for the dangers I had passed, and I loved her that she did commiseration them # 8221 ; ( I, iii, lines 166-7 ) . This adult male had truly fallen in love with person whose life was tiring and needed escapade. Othello # 8221 ; s origin besides inhibited him from understanding European adult females. He did see for himself the misrepresentation of Desdemona toward her male parent and remembered the words he had said to him: # 8220 ; Look to her, Moor, if 1000 has eyes to see: She has deceived her male parent, and may thee # 8221 ; ( I, iii, lines 286-7 ) . When Othello has been given information from Iago in Act III scene three, he can non take any more so he asks Iago to go forth in which he does. Upon returning, Iago continues to implement his old statements and Othello seems non bothered for he replies, # 8220 ; Fear non my authorities # 8221 ; ( III, three, 256 ) . With all this there is no adult male who can defy such intelligence like the intelligence that Iago has given to Othello. Most of the work forces who are would make much worse than in the instance of Othello. This doesn # 8221 ; t demo green-eyed monster, but when he is entirely and has clip to contemplate the state of affairs and has seen the hankie in the custodies of Cassio, now is when his blood begins his safer ushers to govern. After recognizing Othello had been tricked into believing the prevarications of Iago. He couldn # 8221 ; t manage the torment of cognizing he had slaying in green-eyed monster instead for justness. This desolation in Othello # 8221 ; s character brought the strong warrior back into the scene. Where he transformed into his ain justice, jury, and sentenced himself. He told the people around him in their letters to compose of him non in maliciousness, so he said: # 8220 ; Then you must talk of one that loved non sagely but excessively good # 8221 ; ( V, two, line 344 ) . After the address was done he carried out his sentence, took a knife and stabbed himself. He so said: # 8220 ; I kissed thee ere I killed thee. No manner but this, Killing myself, to dice upon a kiss # 8221 ; ( V, two, line 359-60 ) . He so laid down on the bed and died with self-respect ( Stauffer 173 ) . Othello was covetous. He was told his married woman was rip offing on him and he thought he was killing for justness. He even said he loved non sagely but excessively good. When he did kill it was non really smart of him to believe another adult male about something he should cognize more approximately. This drama introduced alterations in Othello # 8221 ; s character when these alterations evolved there was Iago lurking and waiting for the opportunity to leap in and take advantage of Othello. This why my belief of Othello is one of a adult male whose character is brought to visible radiation of a atrocious state of affairs by a fallacious Satan named Iago 315